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The Sea-Hawk (Barnes & Noble Digital Library)
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THE SEA-HAWK
RAFAEL SABATINI
This 2011 edition published by Barnes & Noble, Inc.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission from the publisher.
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ISBN: 978-1-4114-5946-5
CONTENTS
NOTE
PART ONE
SIR OLIVER TRESSILIAN
I. THE HUCKSTER
II. ROSAMUND
III. THE FORGE
IV. THE INTERVENER
V. THE BUCKLER
VI. JASPER LEIGH
VII. TREPANNED
VIII. THE SPANIARD
PART TWO
SAKR-EL-BAHR
I. THE CAPTIVE
II. THE RENEGADE
III. HOMEWARD BOUND
IV. THE RAID
V. THE LION OF THE FAITH
VI. THE CONVERT
VII. MARZAK-BEN-ASAD
VIII. MOTHER AND SON
IX. COMPETITORS
X. THE SLAVE-MARKET
XI. THE TRUTH
XII. THE SUBTLETY OF FENZILEH
XIII. IN THE SIGHT OF ALLAH
XIV. THE SIGN
XV. THE VOYAGE
XVI. THE PANNIER
XVII. THE DUPE
XVIII. SHEIK MAT
XIX. THE MUTINEERS
XX. THE MESSENGER
XXI. MORITURUS
XXII. THE SURRENDER
XXIII. THE HEATHEN CREED
XXIV. THE JUDGES
XXV. THE ADVOCATE
XXVI. THE JUDGMENT
NOTE
LORD HENRY GOADE, who had, as we shall see, some personal acquaintance with Sir Oliver Tressilian, tells us quite bluntly that he was ill-favoured. But then his lordship is addicted to harsh judgments and his perceptions are not always normal. He says, for instance, of Anne of Cleves that she was the "ugliest woman that ever I saw." As far as we can glean from his own voluminous writings it would seem to be extremely doubtful whether he ever saw Anne of Cleves at all, and we suspect him here of being no more than a slavish echo of the common voice, which attributed Cromwell's downfall to the ugliness of this bride he procured for his Bluebeard master. To the common voice I prefer the document from the brush of Holbein, which permits us to form our own opinions and shows us a lady who is certainly very far from deserving his lordship's harsh stricture. Similarly, I like to believe that Lord Henry was wrong in his pronouncement upon Sir Oliver, and I am encouraged in this belief by the pen-portrait which he himself appends to it. "He was," he says, "a tall, powerful fellow of a good shape, if we except that his arms were too long and that his feet and hands were of an uncomely bigness. In face he was swarthy with black hair and a black forked beard; his nose was big and very high in the bridge, and his eyes sunk deep under beetling eyebrows were very pale-coloured and very cruel and sinister. He had—and this I have ever remarked to be the sign of great virility in a man—a big, deep, rough voice, better suited to, and no doubt oftener employed in, quarter-deck oaths and foulnesses than the worship of his Maker."
Thus my Lord Henry Goade, and you observe how he permits his lingering disapproval of the man to intrude upon his description of him. The truth is that—as there is ample testimony in his prolific writings—his lordship was something of a misanthropist. It was, in fact, his misanthropy which drove him, as it has driven many another, to authorship. He takes up the pen, not so much that he may carry out his professed object of writing a chronicle of his own time, but to the end that he may vent the bitterness engendered in him by his fall from favour. As a consequence he has little that is good to say of anyone, and rarely mentions one of his contemporaries but to tap the sources of a picturesque invective. After all, it is possible to make excuses for him. He was at once a man of thought and a man of action—a combination as rare as it is usually deplorable. The man of action in him might have gone far had he not been ruined at the outset by the man of thought. A magnificent seaman, he might have become Lord High Admiral of England but for a certain proneness to intrigue. Fortunately for him—since otherwise he could hardly have kept his head where nature had placed it—he came betimes under a cloud of suspicion. His career suffered a check; but it was necessary to afford him some compensation since, after all, the suspicions could not be substantiated. Consequently he was removed from his command and appointed by the Queen's Grace her Lieutenant of Cornwall, a position in which it was judged that he could do little mischief. There, soured by this blighting of his ambitions, and living a life of comparative seclusion, he turned, as so many other men similarly placed have turned, to seek consolation in his pen. He wrote his singularly crabbed, narrow and superficial History of Lord Henry Goade: his own Times—which is a miracle of injuvenations, distortions, misrepresentations and eccentric spelling. In the eighteen enormous folio volumes which he filled with his minute and gothic characters he gives his own version of the story of what he terms his downfall, and having, notwithstanding his prolixity, exhausted this subject in the first five of the eighteen tomes, he proceeds to deal with so much of the history of his own day as came immediately under his notice in his Cornish retirement.
For the purposes of English history his chronicles are entirely negligible, which is the reason why they have been allowed to remain unpublished and in oblivion. But to the student who attempts to follow the history of that extraordinary man Sir Oliver Tressilian, they are entirely invaluable. And, since I have made this history my present task, it is fitting that I should here at the outset acknowledge my extreme indebtedness to those chronicles. Without them, indeed, it were impossible to reconstruct the life of that Cornish gentleman who became a renegade and a Barbary Corsair and might have become Basha of Algiers—or Argire, as his lordship terms it—but for certain matters which are to be set forth.
Lord Henry wrote with knowledge and authority, and the tale he has to tell is very complete and full of precious detail. He was, himself, an eyewitness of much that happened; he pursued a personal acquaintance with many of those who were connected with Sir Oliver's affairs that he might amplify his chronicles, and he considered no scrap of gossip that was to be gleaned along the countryside too trivial to be recorded. I suspect him also of having received no little assistance from Jasper Leigh in the matter of those events that happened out of England, which seem to me to constitute by far the most interesting portion of his narrative.
R. S.
PART ONE
SIR OLIVER TRESSILIAN
CHAPTER I
THE HUCKSTER
SIR OLIVER TRESSILIAN sat at his ease in the lofty dining-room of the handsome house of Penarrow, which he owed to the enterprise of his father of lamented and lamentable memory and to the skill and invention of an Italian engineer named Bagnolo who had come to England half a century ago as one of the assistants of the famous Torrigiani.
This house of such startlingly singular and Italianate grace for so remote a corner of Cornwall deserves, together with the story of its construction, a word in passing.
The Italian Bagnolo who combined with his salient artistic talents a quarrelsome, volcanic humour had the mischance to kill a man in a brawl in a Southwark tavern. As a result he fled the town, nor paused in his headlong flight from the consequences of that murderous deed until he had all but reached the very ends of England. Under what circumstances he became acquainted with Tressilian the elder I do not know. But certain it is that the meeting
was a very timely one for both of them. To the fugitive, Ralph Tressilian—who appears to have been inveterately partial to the company of rascals of all denominations—afforded shelter; and Bagnolo repaid the service by offering to rebuild the decaying half-timbered house of Penarrow. Having taken the task in hand he went about it with all the enthusiasm of your true artist, and achieved for his protector a residence that was a marvel of grace in that crude age and outlandish district. There arose under the supervision of the gifted engineer, worthy associate of Messer Torrigiani, a noble two-storied mansion of mellow red brick, flooded with light and sunshine by the enormously tall mullioned windows that rose almost from base to summit of each pilastered façade. The main doorway was set in a projecting wing and was overhung by a massive balcony, the whole surmounted by a pillared pediment of extraordinary grace, now partly clad in a green mantle of creepers. Above the burnt red tiles of the roof soared massive twisted chimneys in lofty majesty.
But the glory of Penarrow—that is, of the new Penarrow begotten of the fertile brain of Bagnolo—was the garden fashioned out of the tangled wilderness about the old house that had crowned the heights above Penarrow point. To the labours of Bagnolo, Time and Nature had added their own. Bagnolo had cut those handsome esplanades, had built those noble balustrades bordering the three terraces with their fine connecting flights of steps; himself he had planned the fountain, and with his own hands had carved the granite faun presiding over it and the dozen other statues of nymphs and sylvan gods in a marble that gleamed in white brilliance amid the dusky green. But Time and Nature had smoothed the lawns to a velvet surface, had thickened the handsome boxwood hedges, and thrust up those black spear-like poplars that completed the very Italianate appearance of that Cornish demesne.
Sir Oliver took his ease in his dining-room considering all this as it was displayed before him in the mellowing September sunshine, and found it all very good to see, and life very good to live. Now no man has ever been known so to find life without some immediate cause, other than that of his environment, for his optimism. Sir Oliver had several causes. The first of these—although it was one which he may have been far from suspecting—was his equipment of youth, wealth, and good digestion; the second was that he had achieved honour and renown both upon the Spanish Main and in the late harrying of the Invincible Armada—or, more aptly perhaps might it be said, in the harrying of the late Invincible Armada—and that he had received in that the twenty-fifth year of his life the honour of knighthood from the Virgin Queen; the third and last contributor to his pleasant mood—and I have reserved it for the end as I account this to be the proper place for the most important factor—was Dan Cupid who for once seemed compounded entirely of benignity and who had so contrived matters that Sir Oliver's wooing of Mistress Rosamund Godolphin ran an entirely smooth and happy course.
So, then, Sir Oliver sat at his ease in his tall, carved chair, his doublet untrussed, his long legs stretched before him, a pensive smile about the firm lips that as yet were darkened by no more than a small black line of moustachios. (Lord Henry's portrait of him was drawn at a much later period.) It was noon, and our gentleman had just dined, as the platters, the broken meats and the half-empty flagon on the board beside him testified. He pulled thoughtfully at a long pipe—for he had acquired this newly imported habit of tobacco-drinking—and dreamed of his mistress, and was properly and gallantly grateful that fortune had used him so handsomely as to enable him to toss a title and some measure of renown into his Rosamund's lap.
By nature Sir Oliver was a shrewd fellow ("cunning as twenty devils," is my Lord Henry's phrase) and he was also a man of some not inconsiderable learning. Yet neither his natural wit nor his acquired endowments appear to have taught him that of all the gods that rule the destinies of mankind there is none more ironic and malicious than that same Dan Cupid in whose honour, as it were, he was now burning the incense of that pipe of his. The ancients knew that innocent-seeming boy for a cruel, impish knave, and they mistrusted him. Sir Oliver either did not know or did not heed that sound piece of ancient wisdom. It was to be borne in upon him by grim experience, and even as his light pensive eyes smiled upon the sunshine that flooded the terrace beyond the long mullioned window, a shadow fell athwart it which he little dreamed to be symbolic of the shadow that was even falling across the sunshine of his life.
After that shadow came the substance—tall and gay of raiment under a broad black Spanish hat decked with blood-red plumes. Swinging a long beribboned cane the figure passed the windows, stalking deliberately as Fate.
The smile perished on Sir Oliver's lips. His swarthy face grew thoughtful, his black brows contracted until no more than a single deep furrow stood between them. Then slowly the smile came forth again, but no longer that erstwhile gentle pensive smile. It was transformed into a smile of resolve and determination, a smile that tightened his lips even as his brows relaxed, and invested his brooding eyes with a gleam that was mocking, crafty and almost wicked.
Came Nicholas his servant to announce Master Peter Godolphin, and close upon the lackey's heels came Master Godolphin himself, leaning upon his beribboned cane and carrying his broad Spanish hat. He was a tall, slender gentleman, with a shaven, handsome countenance, stamped with an air of haughtiness; like Sir Oliver, he had a high-bridged, intrepid nose, and in age he was the younger by some two or three years. He wore his auburn hair rather longer than was the mode just then, but in his apparel there was no more foppishness than is tolerable in a gentleman of his years.
Sir Oliver rose and bowed from his great height in welcome. But a wave of tobacco-smoke took his graceful visitor in the throat and set him coughing and grimacing.
"I see," he choked, "that ye have acquired that filthy habit."
"I have known filthier," said Sir Oliver composedly.
"I nothing doubt it," rejoined Master Godolphin, thus early giving indications of his humour and the object of his visit.
Sir Oliver checked an answer that must have helped his visitor to his ends, which was no part of the knight's intent.
"Therefore," said he ironically, "I hope you will be patient with my shortcomings. Nick, a chair for Master Godolphin and another cup! I bid you welcome to Penarrow."
A sneer flickered over the younger man's white face. "You pay me a compliment, sir, which I fear me 'tis not mine to return to you."
"Time enough for that when I come to seek it," said Sir Oliver, with easy, if assumed, good humour.
"When you come to seek it?"
"The hospitality of your house," Sir Oliver explained.
"It is on that very matter I am come to talk with you."
"Will you sit?" Sir Oliver invited him, and spread a hand towards the chair which Nicholas had set. In the same gesture he waved the servant away.
Master Godolphin ignored the invitation. "You were," he said, "at Godolphin Court but yesterday, I hear." He paused, and as Sir Oliver offered no denial, he added stiffly: "I am come, sir, to inform you that the honour of your visits is one we shall be happy to forgo."
In the effort he made to preserve his self-control before so direct an affront Sir Oliver paled a little under his tan.
"You will understand, Peter," he replied slowly, "that you have said too much unless you add something more." He paused, considering his visitor a moment. "I do not know whether Rosamund has told you that yesterday she did me the honour to consent to become my wife. . . ."
"She is a child that does not know her mind," broke in the other.
"Do you know of any good reason why she should come to change it?" asked Sir Oliver, with a slight air of challenge.
Master Godolphin sat down, crossed his legs and placed his hat on his knee.
"I know a dozen," he answered. "But I need not urge them. Sufficient should it be to remind you that Rosamund is but seventeen and that she is under my guardianship and that of Sir John Killigrew. Neither Sir John nor I can sanction this betrothal."
"Good lack!" broke out Sir
Oliver. "Who asks your sanction or Sir John's? By God's grace your sister will grow to be a woman soon and mistress of herself. I am in no desperate haste to get me wed, and by nature—as you may be observing—I am a wondrous patient man. I'll even wait." And he pulled at his pipe.
"Waiting cannot avail you in this, Sir Oliver. 'Tis best you should understand. We are resolved, Sir John and I."
"Are you so? God's light! Send Sir John to me to tell me of his resolves and I'll tell him something of mine. Tell him from me, Master Godolphin, that if he will trouble to come as far as Penarrow I'll do by him what the hangman should have done long since. I'll crop his pimpish ears for him, by this hand!"
"Meanwhile," said Master Godolphin whettingly, "will you not essay your rover's prowess upon me?"
"You?" quoth Sir Oliver, and looked him over with good-humoured contempt. "I'm no butcher of fledgelings, my lad. Besides, you are your sister's brother, and 'tis no aim of mine to increase the obstacles already in my path." Then his tone changed. He leaned across the table. "Come, now, Peter. What is at the root of all this matter? Can we not compose such differences as you conceive exist? Out with them! 'Tis no matter for Sir John. He's a curmudgeon who signifies not a finger's snap. But you, 'tis different. You are her brother. Out with your plaints, then! Let us be frank and friendly."
"Friendly?" The other sneered again. "Our fathers set us an example in that."
"Does it matter what our fathers did? More shame to them if, being neighbours, they could not be friends. Shall we follow so deplorable an example?"
"You'll not impute that the fault lay with my father!" cried the other, with a show of ready anger.
"I impute nothing, lad. I cry shame upon them both."
"'Swounds!" swore Master Peter. "Do you malign the dead?"
"If I do, I malign them both. But I do not. I no more than condemn a fault that both must acknowledge could they return to life."
"Then, sir, confine your condemnings to your own father with whom no man of honour could have lived at peace. . . ."